Saturday, June 4, 2011

Marin Headlands, a missed opportunity at Point Bonita Lighthouse, & Rodeo Beach

A few weeks ago, I had the pleasure of shooting in the Marin Headlands with fellow photographers, Kevin Ash, and Justin Chase. After photographing the Marin Civic Center the same day, we decided to shoot in the Marin Headlands.

Originally, we'd hoped to see the Point Bonita Lighthouse. It had been some time since I'd gone to the lighthouse and was hoping that we'd get some good shots there. However, the path to the lighthouse was closed off. FYI - The tunnel to the suspension bridge/lighthouse is open Saturdays, Sundays and Mondays from 12:30–3:30 pm. However the lighthouse is not accessible due to the suspension bridge closure. Currently the bridge is due to be replaced and open to the public in the Spring of 2012.

Since we were unable to shoot the lighthouse, we shot towards the east in the direction of Hawk Hill, the Golden Gate Bridge, and some of the abandoned piers. It was not quite yet time for the sun to set, so I decided to shoot a few long exposures with my trusty Singh-Ray Vari-ND filter. The Vari-ND allowed me to slow down the shutter speed to get a 2 sec exposure on the photograph below. Kevin let me use his 70-200mm lens in order to get a bit more reach out of the scene. Thanks again, Kevin.



As sunset approached, we decided to drive down to Rodeo Beach. We shot from the footbridge. There was a nice light reflecting on the lagoon, and coming over the hillside. For the wide angle shot, I used both a 2, & 3-stop soft graduated neutral density filter. They worked like a charm and allowed me to capture the golden color illuminating the clouds.




While Kevin stayed on the footbridge a bit longer, Justin and I hauled it over to the coastline. Although the three sea stacks are shot all the time, the three of us decided that it was simply too good to pass up. At high tide, I'm not sure it would have been wise to go much further anyway. By this point, I found that the light at the horizon was a bit too harsh. The two shots below were shot utilizing a 2-stop reverse graduated neutral density filter to balance the foreground, and background light.